"Suzie was very much at the front line of delivering an amazing project and did an incredible job in space creation."
Roger Spence - Project Director, SWT
Suzie Bridges led the reconstruction of Sadler's Wells Theatre in 2000, and has remained closely involved with the theatre ever since. Sadler's Wells approached Suzie Bridges Architects in 2014 to help find architectural solutions to a number of operational issues within the auditorium.
Initial works included a new auditorium metalwork orchestra pit rail, providing an easier-to-use solution that worked with the strong design aesthetic and the critical acoustic and lighting criteria. The 22m long orchestra pit rail was heavy, and had become damaged in use. A replacement kit of light-weight but robust removable parts was designed in collaboration with specialist metalworkers, creating a strong clean curve to the pit. Further works involved upgrading sections of the external building cladding.
More recently, works have included extending and upgrading the café and refurbishing the Front of House WCs. In the original Sadler’s Wells Theatre redevelopment, a new stage door was created with an entrance and cafe bar for the Lilian Baylis Studio. The cafe proved to be hugely popular with visiting artists, staff and the local community. In 2015, Sadler’s Wells invited Suzie Bridges Architects to explore options to extend the Lilian Baylis Cafe into the under-utilised Kahn Lecture Theatre.
The resulting Kahn Café provides additional café seating and meeting space and brings daylight into the space. Visual links have been established between the stage door/entrance, the cafe and the offices, drawing visitors in as they arrive. Sadler’s philosophy of “access for all” informed the design and a vibrant and creative atmosphere was achieved.
The overall strategy with the Front of House WCs was to update them in synch with the rest of the theatre, making them feel lighter, brighter and fresher. All toilets areas are internal spaces, so finishes were carefully selected to give the impression of daylight. Identical treatment was applied to accessible toilets as the general Front of House toilets, so that all facilities feel equal in status. The works are phased, ensuring little disruption to the theatre.